影片讲述了一个名叫斯坦利的中年男子在监狱中的故事。斯坦利是二十世纪六七十年代经典英国电影和电视的狂热崇拜者。他以莫须有的罪名被关进监狱，在经过多年孤独的监狱生涯后，他开始产生妄想症，再加上他想要获得假释为女儿过十六岁生日的执念，他的妄想症状越来越严重。他开始与自己脑海中的各种人物交流、谈话……

漫画「姐姐的妄想日记」是连载于小学馆「周刊少年SUNDAY」的姐系作品，本次动画的声优和广播剧一样，由小清水亚美饰演“弟控”的姐姐霭子，而弟弟辉则由水岛大宙饰演！霭子的亲友香澄则由明坂聪美献声。 　　动画收录了原作中的6篇内容以及原创的3话故事。 　　OAD随漫画单行本第4卷发售。

该剧讲述了一个男人闯进前职小偷的女人和各式各样的人们居住的多世代大宅后发生的事，他们治愈内心伤痛的故事

Foča is a municipality in eastern Bosnia and Herzegovina where women were raped and abused on a large scale during the Bosnian war. Women, and girls as young as 12 years old, were imprisoned at various locations to be gang-raped, mostly by Serbian fighters. This was cause for the Yugoslavia Tribunal to designate “systematic rape” and “sexual slavery”—war crimes that frequently went unprosecuted—as torture and crimes against humanity. As a result, these crimes can now be universally prosecuted. 　　The so-called Foča case called on great courage from the countless women who testified about their horrific experiences. To preserve their anonymity the women were identified using numbers or letters. In this forensic video essay, filmmaker Kumjana Novakova uses mostly written testimonies by the women to explore the collective memory of the rape camps. In grainy video footage, the camera explores the places where these inhuman crimes took place, while the women speak about the unspeakable. 　　源自：https://festival.idfa.nl/en/film/c925f7a5-aa96-42aa-a222-4f9276df0821/silence-of-reason/

Foča is a municipality in eastern Bosnia and Herzegovina where women were raped and abused on a large scale during the Bosnian war. Women, and girls as young as 12 years old, were imprisoned at various locations to be gang-raped, mostly by Serbian fighters. This was cause for the Yugoslavia Tribunal to designate “systematic rape” and “sexual slavery”—war crimes that frequently went unprosecuted—as torture and crimes against humanity. As a result, these crimes can now be universally prosecuted. 　　The so-called Foča case called on great courage from the countless women who testified about their horrific experiences. To preserve their anonymity the women were identified using numbers or letters. In this forensic video essay, filmmaker Kumjana Novakova uses mostly written testimonies by the women to explore the collective memory of the rape camps. In grainy video footage, the camera explores the places where these inhuman crimes took place, while the women speak about the unspeakable. 　　源自：https://festival.idfa.nl/en/film/c925f7a5-aa96-42aa-a222-4f9276df0821/silence-of-reason/

日记是记录每天所发生过的事，但梁咏娜（蔡卓妍饰）的日记是记录将来所会发生的事……记录她妄想出来的“事实”！ 咏娜原本有一个快乐的家庭，有一个爱惜她的情人。一天咏娜回家发现她的情人亚坤不辞而别。咏娜接受不了亚坤无声的离弃，无助下向友人（梁洛施饰）诉说如何爱亚坤，亚仪竟教唆咏娜怎样向一个背弃自己的人报复！ 一天咏娜在街上碰上亚坤，原来亚坤从不认识她，一切只是咏娜妄想出来的，他的真名是伟豪（余文乐饰），她想念的亚坤原来早已在两年前的交通意外中死去。咏娜向伟豪哭诉这一切，伟豪对她由怜生爱。二人过快乐的同居生活，但自此伟豪的性格显得怪异，更不愿上班，说每天只要和咏娜一起便足够。 一晚，二人在屋内共享烛光晚餐，窗外下雨，咏娜一时感触，哭诉她与亚坤的一段情，说亚坤两年前因癌症去世。伟豪听后觉得奇怪，伟豪质疑咏娜前后矛盾，咏娜便拿出自己的日记为证，读出亚坤癌病死去的一天那页，当咏娜读到日记的最后一段时，突然目露凶光地走到伟豪面前，质疑伟豪对她的爱……究竟谁是谁非？

故事发生在一个风景秀丽的英国小镇中，安吉拉带着儿子卢克像往常一样来到了儿童游乐场，两人都以为今天也只不过是他们日复一日的平凡生活的一个缩影而已，可是，悲剧发生了，当卢克离开家人和其他孩子一起玩耍时，安吉拉被一个神秘的凶手杀死了。而唯一的目击证人是一个名叫露西（莱斯利·夏普 Lesley Sharp 饰）的女人。 　　妮娜（因迪拉·瓦玛 Indira Varma 饰）和搭档鲍比（罗伯特·格林尼斯特 Robert Glenister 饰）负责调查此案，根据露西的证言，这个凶手很可能是一个流窜在各国进行跨国作案的连环杀手。可是鲍比却坚持认为，胡言乱语有些神经质的露西才是真正的凶手。

日记是记录每天所发生过的事，但梁咏娜（蔡卓妍饰）的日记是记录将来所会发生的事……记录她妄想出来的“事实”！ 咏娜原本有一个快乐的家庭，有一个爱惜她的情人。一天咏娜回家发现她的情人亚坤不辞而别。咏娜接受不了亚坤无声的离弃，无助下向友人（梁洛施饰）诉说如何爱亚坤，亚仪竟教唆咏娜怎样向一个背弃自己的人报复！ 一天咏娜在街上碰上亚坤，原来亚坤从不认识她，一切只是咏娜妄想出来的，他的真名是伟豪（余文乐饰），她想念的亚坤原来早已在两年前的交通意外中死去。咏娜向伟豪哭诉这一切，伟豪对她由怜生爱。二人过快乐的同居生活，但自此伟豪的性格显得怪异，更不愿上班，说每天只要和咏娜一起便足够。 一晚，二人在屋内共享烛光晚餐，窗外下雨，咏娜一时感触，哭诉她与亚坤的一段情，说亚坤两年前因癌症去世。伟豪听后觉得奇怪，伟豪质疑咏娜前后矛盾，咏娜便拿出自己的日记为证，读出亚坤癌病死去的一天那页，当咏娜读到日记的最后一段时，突然目露凶光地走到伟豪面前，质疑伟豪对她的爱……究竟谁是谁非？

A desperate wife whose husband is shot after a robbery attempt. Desperate to help him financially, she turns to Kap, a man who's always been interested in her, sparking an affair that shatters their relationships.

With the natural splendour of Lac Léman as a back-drop, Le Mirage is the story of a woman who believes she can recapture her youth by rediscovering love... with no regard for the inescapable realities of life. Maria Tummler, still quite beautiful despite her fifty years, is suddenly possessed with a consuming passion for a young visiting American, a friend of her son. But neither Jeanne, her friend, nor Anna, her daughter and faithful confidante, have a right to know, even though the young girl can see the emotion in her mother's eyes and is delighted to witness the physical transformation seemingly taking place. Maria is prepared to live this miracle of resuscitated love to its very end, even as some signs of a strange physical weariness begin to invade her new-found sense of well-being.